When the Academy of Motion Picture Arts and Sciences looked back at 1932, it gave its Best Picture award to Grand Hotel, a movie that spawned a thousand imitators (including just about every well-known disaster movie and, indirectly, the whole hyperlink cinema genre). It is, alas, a mixed bag itself. These are all better:
1. Vampyr
Directed by Carl Dreyer
Written by Dreyer and Christen Jul, from stories by Sheridan Le Fanu
Forget Dracula: This is the best vampire movie I've ever seen.
2. Island of Lost Souls
Directed by Erle C. Kenton
Written by Philip Wylie and Waldemar Young, from a novel by H.G. Wells
A mad pre-Code picture based on H.G. Wells' best book, starring Bela Lugosi and the great Charles Laughton.
3. Ivan
Written and directed by Alexander Dovzhenko
Suppose you're a brilliant Ukrainian director working in Stalin's Soviet Union. Your last film upset the art commissars, and you've been assigned to put together a propaganda picture about the building of the Dneiper Dam. And then you turn in this crazy masterpiece. You, sir, have brass balls.
4. Freaks
Directed by Tod Browning
Written by Willis Goldbeck, Leon Gordon, Al Boasberg, Charles MacArthur, and Edgar Allan Woolf, from a story by Tod Robbins
Keep forgetting Dracula: This is Browning's greatest film. Even its flaws work in its favor: Stiff acting usually drives me crazy, but here it actually adds to the movie's mysterious aura, perhaps because it reminds us that these folks aren't actors in weird get-ups but honest-to-god circus freaks.
5. Love Me Tonight
Directed by Rouben Mamoulian
Written by Samuel Hoffenstein, George Marion Jr., and Waldemar Young
As good as a Maurice Chevalier movie gets.
6. Horse Feathers
Directed by Norman Z. McLeod
Written by S.J. Perelman, Bert Kalmar, Harry Ruby, and Will B. Johnstone
"You've got the brain of a four-year old child, and I bet he was glad to get rid of it."
7. Boudu Saved from Drowning
Directed by Jean Renoir
Written by Renoir and Albert Valentin, from a play by René Fauchois
The anti–My Man Godfrey.
8. Trouble in Paradise
Directed by Ernst Lubitsch
Written by Samson Raphaelson and Grover Jones
To see the range of what filmmakers could get away with in the pre-Code era, watch this cheerfully amoral romantic comedy back to back with Freaks.
9. Million Dollar Legs
Directed by Edward F. Cline
Written by Joseph L. Mankiewicz, Henry Myers, Nicholas T. Barrows, and Ben Hecht
"What a marvelous country. Say, I'll bet you if they laid all the athletes end to end here, why they'd reach—" "484 miles." "How do you know?" "We did it once."
10. Blood of a Poet
Written and directed by Jean Cocteau
Cocteau denied that this was a surrealist film, but that's absurd. It is clearly a surrealist film. Maybe not as surrealist as the Betty Boop cartoons down in the honorable mentions, but surreal enough.
Honorable mentions:
11. Betty Boop, M.D. (Dave Fleischer)
12. Shanghai Express (Josef von Sternberg)
13. American Madness (Frank Capra)
14. Betty Boop for President (Dave Fleischer)
15. One Hour with You (Ernst Lubitsch, George Cukor)
16. Minnie the Moocher (Dave Fleischer)
17. Red-Headed Woman (Jack Conway)
18. Night at the Crossroads (Jean Renoir)
19. Murders in the Rue Morgue (Robert Florey)
20. The Idea (Berthold Bartosch)
WHAT'S THAT, WALKER? you ask. YOU HAVE ROOM FOR THREE GODDAMN BETTY BOOP CARTOONS BUT YOU DON'T MENTION SCARFACE, THE SHAME OF A NATION? WHAT THE HELL IS WRONG WITH YOU?
Look, I like Scarface, but it's an uneven movie. Now obviously I can forgive a certain unevenness if the high points are high enough: I listed Murders in the Rue Morgue, after all, and in the case of Freaks I pretty much counted the film's flaws as virtues. But with Scarface, I can't get past that awful crime-doesn't-pay lecture that the studio insisted on inserting into the movie.
Yes, I let in Ivan, and it's full of propaganda for a totalitarian regime—quite a bit worse, morally speaking, than telling viewers not to be gangsters. But Dovzhenko played off the material that he was forced to include, made it part of his art, and subverted it. Howard Hawks just walked off the set for a while, let another director shoot the scene, and shoved the ungainly thing in. So the film falls off the list. If you want to imagine that it's at #21, I can live with that.
Of the films of 1932 that I haven't seen, I'm most interested in I Was Born, But...
