We've heard a lot of warnings about extremist paranoia in the months since Barack Obama became president. We've heard much less about the paranoia of the centrists; indeed, the very idea that the sober center could be paranoid sounds bizarre. But when mainstream columnists treat a small group of unconnected crimes as a "pattern" of "rising right-wing violence," their thesis bears more than a little resemblance to the conspiracy theories of the fringe figures they oppose. In both cases, the stories being told reflect the anxieties of the people discerning the patterns much more than any order actually emerging in the outside world.
This isn't the first time the establishment has been overrun with paranoia about the paranoiacs.
The discussion stretches from Richard Hofstadter to Camille Paglia and from Timothy McVeigh to the Reuther brothers. If I ever write that book on American conspiracy folklore, this is one of the essays I'll chop up and recycle.
SELF-PROMOTION: My column for the Reason site this week is about the problems with the Performance Rights Act.
Also, I have a short piece about child pornography and the law in July's print edition of Reason -- a sidebar to a longer feature by Nancy Rommelmann on the "sexting" issue. My contribution is now online as well.
THE BROWN SCARE OF '09: Greg Sargent's reaction to the murder at the Holocaust Museum yesterday -- "it's time to revisit criticism of 'right-wing extremists' report" -- wasn't atypical. You could hear the same insta-reaction around the Web, as confirmation bias did its work and two or three crimes by far-right figures were transformed into something larger. Here's Andrew Sullivan: "That DHS report doesn't look so iffy any more, does it?" Markos Moulitsas: "Attempt by Cons to justify their critique of prescient DHS report are an extra special dose of stupid." Benjamin Sarlin at The Daily Beastwrites that "a much-maligned Department of Homeland Security memo on right-wing extremism is looking more accurate by the day." Doug J. at Balloon Juicesays, "How many acts of right-wing terrorism have to occur before DHS is allowed to start keeping track of it?"
So the Department of Homeland Security, a bloated and dysfunctional agency that shouldn't exist in the first place, should spend its time tracking the possibility that a criminal kook with no co-conspirators will decide to shoot a doctor or a security guard? From preventing another 9/11 to preventing unorganized shootings: Talk about mission creep. Yes, these murders are terrorism, but they're the sort of terrorism that can be contained by the average small-town police force. If you try to blow them up into a grand pattern that threatens ordinary Americans, you're no different from the C-level conservative pundits who treat every politically motivated crime by a Muslim as evidence of a broad Islamic threat to ordinary Americans' well-being. (The reliably inane Debbie Schlussel even blames Islam for the Holocaust Museum shooting, despite the fact that the killer is a neo-Nazi, on the grounds that "it is because of Muslims--who are the biggest contributor to the worldwide rise in anti-Semitism to Holocaust-eve levels--that neo-Nazis feel comfortable--far more comfortable!--manifesting their views about Jews.")
Why did the DHS report come under such fire? It wasn't because far-right cranks are incapable of committing crimes. It's because the paper blew the threat of right-wing terror out of proportion, just as the Clinton administration did in the '90s; because it treated "extremism" itself as a potential threat, while offering a definition of extremist so broad it seemed it include anyone who opposed abortion or immigration or excessive federal power; and because it fretted about the danger of "the return of military veterans facing significant challenges reintegrating into their communities." (Note that neither the killing in Kansas last month nor the shooting in Washington yesterday was committed by an Iraq or Afghanistan vet.) The effect isn't to make right-wing terror attacks less likely. It's to make it easier to smear nonviolent, noncriminal figures on the right, just as the most substantial effect of a red scare was to make it easier to smear nonviolent, noncriminal figures on the left. The fact that communist spies really existed didn't justify Joseph McCarthy's antics, and the fact that armed extremists really exist doesn't justify the Department of Homeland Security's report.
The first hour of the show was mostly given over to excerpts from Get Your Ass in the Water and Swim Like Me, a collection of street toasts -- most of them really filthy -- recorded largely at prisons in Texas in the '60s. ("Tom from Ellis," for example, was incarcerated at the Ellis Unit in Huntsville.) I mixed those spoken-word performances with funk and jazz, thus highlighting the ways they foreshadowed hip hop, and in-between I played other tracks that fit the theme, from Wilson Pickett's soul version of "Stagger Lee" to a Last Poets proto-rap about smack addiction.
The other two hours didn't include as much mixing on my part, though I did do a really absurd live mash-up between Yes and James Chance; and, later, combined some music with an old LP of the premillennialist preacher Hal Lindsey.
Here's the playlist:
Herbie Hancock: Watermelon Man (excerpt, mixed with "Titanic") Tom from Ellis: Titanic Ben Taylor: Dolemite Herbie Hancock: Chameleon (excerpt, mixed with "Stackolee") Henry from Ramsey: Stackolee Wilson Pickett: Stagger Lee Isaac Hayes: Shaft Pee Wee Ellis: Chicken (mixed with "Pimpin' Sam" and "Up on the Farm") Henry from Ramsey: Pimpin' Sam Peter from Wynne: Up on the Farm Walter Roland & Lucille Bogan: I'm Gonna Shave You Dry Dr. Hook and the Medicine Show: Freakin' at the Freaker's Ball Henry from Ramsey: Dance of the Freaks Earth, Wind, and Fire: Sweet Sweetback's Theme (mixed with "Dance of the Freaks" and "Jones Comin' Down") The Last Poets: Jones Comin' Down Jimmy Smith: J.O.S. (excerpt, mixed with "The Signifying Monkey") Tom from Ellis: The Signifying Monkey Jon Brown: 30 Days The Bad Livers: Love Songs Suck Brian Eno & David Byrne: Regiment Was (Not Was): Dad I'm in Jail James White and the Blacks: Contort Yourself Yes: Würm (sped up & mixed with "Contort Yourself," then slowed down and spun backwards) Taj Mahal: Corinna Joe Tex: Trying to Win Your Love Dr. John & The Meters: Peace Brother Peace The Bar-Kays: Mean Mistreater Juicy Bananas: Bad Man Cookie Monster: Me Lost Me Cookie at the Disco The Bobs: Disco Inferno The Doors: Peace Frog The Commodores: Brick House The Kinks: Demolition The Section: Black Dog The Section: Bron-Y-Aur The Recliners: Back in Black Mrs. Miller: Tiptoe Through the Tulips Monty Python: Sit On My Face Henry Mancini: Baby Elephant Walk Firesign Theater: Young Guy Motor Detective Keith Jarrett: Second Invocation Hal Lindsey: Questions and Answers About the End Times (excerpt, mixed with "Second Invocation" and "New World Order") Presage: New World Order Ministry: N.W.O. The Ramones: Do You Remember Rock'n'Roll Radio? Fear: Let's Have a War Patti Smith: My Generation The Shaggs: My Pal Foot Foot Nina Hagen: Spirit in the Sky Bob Dylan: All the Tired Horses George Harrison: If Not for You Henry Mancini: March of the Cue Balls Jimmy Page & Robert Plant: Nobody's Fault But Mine The Bobs: Is That All There Is?