Since the 1970s, an underground subculture has been making and privately screening short films. The artists are fans—and critics—of cult TV shows, from Star Trek to Homicide: Life on the Street. Their movies are music videos, edited from pieces of those programs and other sources into something new: a story, an essay, a mood piece, a love note.
These vidders, as they call themselves, weren't the first filmmakers to re-edit existing footage into new works, but they may have been the first to do it as a self-conscious community, training one another in the art and craft of vidding. They also did it invisibly, shying from the spotlight both to avoid copyright infringement lawsuits and simply to keep the work away from viewers not likely to appreciate the form.